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As Keith Richards said "If The Verve can write a better song, they can keep the money". They never did.


See also that RunDMC smash remix that Nevins only got a taste of cash on and as one of the DMC crew said (something like) "if what you do is that good, play it again, Sam". He never did either.

It's not called the music 'business' for nothing.


It's fine when you're sitting around in your scummy rehearsal room smoking a doobie and being all about the music and dreaming of what might be, but when you find yourself with a big hit and money washing around it's a different story.


Anyway, Ashcroft made his wedge on Drugs - a far shitter song - which I don't think would have happened without Symphony - so he did ok.

*Bob* Wrote:

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> As Keith Richards said "If The Verve can write a

> better song, they can keep the money". They never did.


So true. The Robin Thick/Pharrel whatsit is a bit shit though and very misogynistic and it does touch on male dominance and rape fantasy blah blah.. though we shouldn't take that lightly. Coz it's fecking horrible. And if you really want some decent misogynistic tunes you can't get much better than the Stones. Just one example here. Gawd bless 'em. Fecking tune this is.




Cor, and just dig Brian Jones on them marimbas, baby.

Given how much music has ever been published surely it's going to be that some people write what they think is an original tune only to find themselves sued by someone saying I worte a song that sounds like that 40 years ago! It's impossible to know everything ever written.

You'd definitely be hard pressed to write a song with an original chord progression, but when it comes to the melody or a guitar riff for example, that's more obvious.


But there are loads of songs that remind me of other songs , which I'm sure is not intentional copying.

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