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favourite bath-time listening atm = french radio london (223.936MHz) - to minimise the effect of dj drivel and lyrics and people actually saying/singing stuff - oh and to marvel at the seamless segueing between m-o-r Ipanema-girl-lite bossa nova to Parisian punk.

was musing this morning as shuffle was on, that very little from the past ten years or so seems to register in my head as a 'classic'.


Stuff from before I was born seems to automatically qualify and plenty from my youth makes it there.

So I'm wondering if there is less produced than once upon a time, or this is a psychological phenomenon, that we canonise the past, idolise our youth and dismiss the present?


Anything that qualifies from the last ten years or so?


If anyone says anything by radiohead I will apply to admin to have your accounts removed!!!!!!

I don't think music can mean as much to you in your 40s as it did 10, 20 or 30 years ago


Nor has enough time elapsed to put newer releases in context. Just because you thought something was classic in your 20s doesn't make it so 20 years later


Plus of course how we listen to music has changed - 20 years ago, you taped or bought a cassette of some albums and lugged them around with your walkman and played the F*** out of them


the 6th word in your post says it all...

maybe so, there are certainly albums I listen to now that when I'm honest to myself I think are far better than much of the stuff I listened to when younger, but they struggle to elicit much of an emotional response any more, unless I'm a few sheets to the wind at any rate.


Do I take it this means you think there are classics, that classics from the past aren't necessarily so or FILE_NOT_FOUND?

But music means so much more to your younger self because it speaks of other places, times and people. The future is out there and you are off to discover it


Now, you can barely find the time to cook for yourself in between keeping bairns happy along with work pressures and domestic chores (in your specific case, chores is too small a word for "the project" but the point stands)


You know more than you did then. You can forget about all that on ocassion, but for much shorter spells.


And that's all ok really. You still enjoy music more in your 40s than the previous generation did (generalisaton alert)

I guess that associative thing can be a two-edged sword.

I can't hear the B52s or the Stone Roses without a summer of '89 madeleine moment.


Most anything I buy these days I listen to with 3 screenfuls of c#/sql/python in front of me, it's most dispiriting!!

  • 3 weeks later...
  • 1 month later...

Peckham's own Serafina Steer. I guess Joanna Newsome comparisons are inevitable what with her harp and all, but she treads different paths.


This song made me chuckle and was heartwarming both at once

Disco Compilation


I'm sure her ode to hipster hatred 'Ballad of Brick Lane' would appeal to woody.


"I don't know why I'm heading to brick lane

I hate it there like everybody does"

serafina's album The Moths are Real relly is a gem!


Anyway, got the new National album yesterday and have given it a couple of spins.

So far it feels like a familiar pair of slippers. It doesn't hit the heights of Alligator and High Violet, but it's early doors as High Violet was a slow grower indeed.


Also got my hands on The Violence by Darren Hayman and the Long Parliament.


I guess a double concept folk album about the witch trials of civil war essex won't be everyone's cup of tea (it may feel many with dread) but it really is a wonderful thing from the beautifully produced packaging complete with contextual hitorical sleeve notes.


And the music stands on it's own, Henrietta Maria, a love song from Charles to his wife, a love that literally tore the fabric of the nation in two, is a thing of haunting beauty. Sufjan Stevens would be the closest touch point I can think of.


"I cut the british isles in half so you could pray/


did anyone fall so slowly in love as you/

paint my face white/

paint my heart blue/

paint the fields red/

they're bloody for you"

  • 2 months later...
  • 1 month later...

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    • While it is good that GALA have withdrawn their application for a second weekend, local people and councillors will likely have the same fight on their hands for next year's event. In reading the consultation report, I noted the Council were putting the GALA event in the same light as all the other events that use the park, like the Circus, the Fair and even the FOPR fete. ALL of those events use the common, not the park, and cause nothing like the level of noise and/or disruption of the GALA event. Even the two day Irish Festival (for those that remember that one) was never as noisy as GALA. So there is some disingenuity and hypocrisy from the Council on this, something I wll point out in my response to the report. The other point to note was that in past years branches were cut back for the fencing. Last year the council promised no trees would be cut after pushback, but they seem to now be reverting to a position of 'only in agreement with the council's arbourist'. Is this more hypocrisy from 'green' Southwark who seem to once again be ok with defacing trees for a fence that is up for just days? The people who now own GALA don't live in this area. GALA as an event began in Brockwell Park. It then lost its place there to bigger events (that pesumably could pay Lambeth Council more). One of the then company directors lived on the Rye Hill Estate next to the park and that is likely how Peckham Rye came to be the new choice for the event. That person is no longer involved. Today's GALA company is not the same as the 'We Are the Fair' company that held that first event, not the same in scope, aim or culture. And therein lies the problem. It's not a local community led enterprise, but a commercial one, underwritten by a venture capital company. The same company co-run the Rally Event each year in Southwark Park, which btw is licensed as a one day event only. That does seem to be truer to the original 'We Are the Fair' vision, but how much of that is down to GALA as opoosed to 'Bird on the Wire' (the other group organising it) is hard to say.  For local people, it's three days of not being able to open windows, As someone said above, if a resident set up a PA in their back garden and subjected the neighbours to 10 hours of hard dance music every day for three days, the Council would take action. Do not underestimate how distressing that is for many local residents, many of whom are elderly, frail, young, vulnerable. They deserve more respect than is being shown by those who think it's no big deal. And just to be clear, GALA and the council do not consider there to be a breach of db level if the level is corrected within 15 minutes of the breach. In other words, while db levels are set as part of the noise management plan, there is an acknowledgement that a breach is ok if corrected within 15 minutes. That is just not good enough. Local councillors objected to the proposed extension. 75% of those that responded to the consultation locally did not want GALA 26 to take place at all. For me personally, any goodwill that had been built up through the various consultations over recent years was erased with that application for a second weekend, and especially given that when asked if there were plans for that in post 2025 event feedback meetings (following rumours), GALA lied and said there were no plans to expand. I have come to the conclusion that all the effort to appease on some things is merely an exercise in show, to get past the council's threshold for the events licence. They couldn't give a hoot in reality for local people, and people that genuinely care about parkland, don't litter it with noisy festivals either.   
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